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Building the bad place - final structures (diary 1) 

& now we enter the final stages of making the bad place, where bad deeds are done, where difficult people do dark things, where ender plans are executed, we now go to FUTOPIA. 

I'm back in it now, working on the last stages. I've just pulled an all-nighter bringing one piece from a “maybe cut it” to a “fuck-on you heavy bastard!” What will be track 09, is now up to 3rd status, & well worth the alert upgrade. Extra beats, more emphasis on the horned growl, deeper swing, darker shuffle, & some powerful sound design. The #Iridium, the #Blofeld, the #OpSix, all make a disgruntled appearance, & they do it well! 

A lot more to come over the next few months, as I finalize my best work yet, the thing that shall define me. You won't hear it until the winter though, as this thing isn't a summer groove. 

Soon electro monkey's, soon… 

S

 

#WaldorfBlofeld #Waldorfridium #KorgOpSix 

"Why your brain hallucinates a megalodon drummer" What happens when AI analyses the analysis...  

What happens when AI analyses the analysis of electronic instrumental music Malgatude Volume Eight: Spectra (Remnant), & breaks down the effects of Auditory Pareidolia in the listeners mind, in podcast form…

NEW ALBUM - Malgatude Volume Eight: Spectra (Remnant) OUT NOW 

Available now - Malgatude Volume Eight: Spectra (Remnant)

 

The Malgatude Volumes are a series of albums drawing from a vault of unreleased & unheard tracks from 2000 - 2025, remastered and finally released. Volume Eight is music works from 2016-2025, Sassy beats, synth drones, moody noir theme tunes, & uplifting soundcapes.

"Spectra (Remnant)" highlights:-

-Secs Phuc: Fat & sassy beats to pimp too.  

-(Waiting to) Reminisce: A preview of future reminisce. 

-Wave Dropt: Dark synth drones & stabbing beats. 

-The Derelict: An Electro-monkey ode to whats found on LV4-26.

-Sync Rush: Nothing but Thick synthesis. 

-Stragth: A stroll though troubled synth lands.

-Plan a Bad: Dubbystepped groove & drawn out synths. 

-Follow the Evidence: Solving the crime. 

-Gound One: Holding synth ground with prejudice 

-Strumb: Noir triplet peaks theme tune.

-Nightlights (Freeway): Cruising the dark motorways of sound. 

-Whats Left Over: Music to sunset too. 


 

Studio Diary March 04: Boiling over - Malgatude Volume Eight 

DEEP into the weeds of Malgatude Volume Eight now, broken the back of some the final few question marks, with only one troublesome grumbly thump left to unleash. I also manged to dig up a unique vocal sample from the 2nd track I ever produced (a horrid nightmare sound of a thing called “Dead Rabbits” that's been swirling about in the back-wash of my consiousness for over 25 years, constructed entirely on a Tascam 328 8-track cassette multitrack), I fully intend to use this sample somewhere in something… 

Soon.

Studio Diary Jan-28: Cooking up.the final Malgatude Volume, 

Over the last few weeks I've been slowly preparing the final Malgatude Album, Volume Eight. 

Currently Album eight stands at 15 tracks deep, & I think will end up being about 46 minutes in length. 

So far it features 9 remasters, & 6 re-works. It's the re-works that soaks up the time, as I'm finishing up what are some good sonic scatch-outs, but need a bit of work to reach they're potential & make them Malgatude ready. I think another few weeks & it'll be release worthy, & then its onto the NEW. 

 

I've spent the last 2 day's merging & refining two versions of a track Idea I had at the earlier part of 2025. I was going to abandon it, but over the last few months, when I've been re-evaluating works, its quality quietly grew on me. Maybe one more tweak & I move on to more challenging Phuc's

What are the "Malgatude Volumes"? 

The first half of 2025 was spent bringing a certain project near to the finish line, many years & a lot of sleepless nights have culminated in something unique & new. As I approach the point of presenting the work, it occurred to me that frankly, what was available from Stoltz was an utter mess. Looking at it over, I can't show new things, until I got this house in order, & right the structure the new can exist on. 

 

& so we arrive to the 2nd half of 2025, where I made the decision to sort through 25 years of music, demo's, sonic snakz, tasters, idea's, unreleased, unfinished & just plan old works, that few, if any have really heard. Somewhere amongst it all should be a collection of tracks that are a good representation of Stoltz & what I've been fiddling with all these years. & so, I created the MALGATUDE VOLUMES. They are a series of Albums, drawing from those 25 years of work, re-mastered, re-worked, & polished up for a modern presentation. 

 

I used this as an opportunity to launch Stoltz on BandCamp, a music streaming platform that is far & away better for independent musicians than the rape-show that is Spotify, Apple Music & the like. 

 

Originally I expected to maybe cherry pick about 2 or possibly 3 albums, & rattle it all out in about 3 weeks. That was not the case, as 25 years of music tends to be a bit more than a couple of tracks… 

& so the Albums I pulled together cover a cross section of years & sounds:-

Malgatude Volume One - Prophet before Pride (Works 2000-2003)

Malgatude Volume Two - Crawl Ideas Works (Works 2002-2006)

Malgatude Volume Three - Punk'It (Works 2004-2007)

Malgatude Volume Four -Retanza Silo (Works 2006-2011)

Malgatude Volume Five - Light Eater (Works 2004-2010)

Malgatude Volume Six - Beatcher (Works 2010-2011)

Malgatude Volume Seven - Roll Sound (Works 2012-2015)

 

NEW ALBUM - MALGATUDE VOLUME SEVEN; ROLL SOUND  

Malgatude Volume Seven; Roll Sound

 

The Malgatude Volumes is a series of albums drawing from a vault of unreleased & unheard tracks from 2000 - 2025, remastered and finally released. Volume Seven is music works from 2012-2015, Articulate breaks music rides to go places too. 

"Roll Sound" highlights:-

-Thronn Woz Ere 14: Big digital Electronica-step 

-RollBack (Featuring Leog): Slow Building up-lifting Big-beat. 

-This is my Work (The 81 Instrumental): Synthwave music to drive too (Video available on Stoltz TV Music Videos)

-Rarhk Path (Digijam): Broken digital beats & synths (Video available on Stoltz TV Music Videos)

-Fylease: Building breaks & bass to feel good about. 

-Stride Graft: A big-beat synth banger. 

-Indie Ride (Solo Sprint): A Groove addicted slice of dance to synth too. 

-Duit Walk: Cheeky naughty music to mischief too. 

-Follow The Sky: Music for phone adverts.

-Holding On: The last of whats no longer left. 

 

Available now on the Music Page

NEW ALBUM - MALGATUDE VOLUME SIX: BEATCHER  

Malgatude Volume Six: Beatcher

 

The Malgatude Volumes is a series of albums drawing from a vault of unreleased & unheard tracks from 2000 - 2025, remastered and finally released. Volume Six is music works from 2010-2011, Down-geared sonics. 

"Beatcher" highlights:-

-Over The Rainbow - Feat. Israel Kamakawiwo Ole: The re-working of the classic cover (Video available at Stoltz TV Studio Sounds).

-Miskin: Synthy Dub-step enthused breaks (Video available on Stoltz TV Music Videos)

-Trunn: Stoltz goes to the grid, a homage to Tron (Video available on Stoltz TV Music Videos)

-Acoustonics: Music to platfrom too. 

-Collapse the Reality: Big cinematic builds & groove. 

-The First Rain Back: Enjoy the rain (Video available on Stoltz TV Music Videos)

-BaD Mach1ne: Electronica-step. 

-clamber Mungst: A tension vibe piece. 

-Your Place Is Here: A cinematic ending. 

 

Available now on the Music Page

NEW ALBUM - MALGATUDE VOLUME FIVE: LIGHT EATER  

Malgatude Volume Five: Light eater

The Malgatude Volumes is a series of albums drawing from a vault of unreleased & unheard tracks from 2000 - 2025, remastered and finally released. Volume Five is music works from 2004-2010, Electronic gaps between spaces.  

 

"Light Eater" highlights:-

-Light Eater: A dark journey into deep drones & Breaks. 

-Born of this War: When all you know is conflict (Video available on Stoltz TV Music Videos)

-Reality Stack (War Rights): Downloading Boris Yelsiv Retanza. 

-Long Foot: A moment between the moments. 

-Thump Gauge: Music for the coolest car commercial you've never seen. 

-The Niver Tump: Crusty Breaks & Synth workout. 

-Responda (Night Lights): Getting lost on the way home. 

-Grump Strut: Breaking things, because fuck those things (Video available on Stoltz TV Music Videos)

-Lumber: Take your time (Video available on Stoltz TV Music Videos)

 

Available now on the Music Page

NEW ALBUM - MALGATUDE VOLUME FOUR: RETANZA SILO  

Malgatude Volume Four: Retanza Silo

The Malgatude Volumes is a series of albums drawing from a vault of unreleased & unheard tracks from 2000 - 2025, remastered and finally released. Volume Three is music works from 2006-2011, Beats to dance & dark too. 

 

"Retanza Silo" highlights:-

-War Rights: Deep horn & Break signals the coming of Boris Yelsiv Retanza (Video available on Stoltz TV Music Videos).

-Life of an Analogue Monster: A lush up-tempo Electronica break-fest. 

-Egyptor: Dark breaks and synth drones. 

-Madur Worlds: A catchy re-working of a melchonic classic. 

-Uber (Denzorth): Windmill-step. 

-Know What You Want: A cinematic thought-piece (Video available on Stoltz TV Music Videos)

-Dance Planes: A building euphoric Electronica break-fest to get lost in. 

-Truth Stalker: Digital Mystery & problems. 

 

Available now on the Music Page

NEW ALBUM - MALGATUDE VOLUME THREE: PUNK'IT  

Malgatude Volume Three: Punk'It

The Malgatude Volumes is a series of albums drawing from a vault of unreleased & unheard tracks from 2000 - 2025, remastered and finally released. Volume Three is music works from 2004-2007, Some tough Electronica cuts with a groove-ladien left turns.

 

"Punk'It" highlights:-

-Warder: Stoltz does Angry pop (Video available on Stoltz TV Music Videos).

-Steal Life: Getting lost in a dark industrial maze (Video available on Stoltz TV Music Videos).

-Underfrone: What it sounds like to have a plane flown at you. 

-House of the Setting Sun: Music for a jeans commercial you wish you'd seen. 

-Barron Lands (The Electiode Consideration): An Electro Noir.

-Stupid Pink Elephants: Electro grooves. 

-Rag: Crashy Splashy Electronica.

-Snap Ya (Tweeken): The Battle of the final Boss. 

-Daft Warder: Warder Broke. 

 

Available now on the Music Page

NEW ALBUM - MALGATUDE VOLUME TWO; CRAWL IDEAS  

Malgatude Volume Two: Crawl Ideas

The Malgatude Volumes is a series of albums drawing from a vault of unreleased & unheard tracks from 2000 - 2025, remastered and finally released. Volume Two is music works from 2002-2006, with a harder sound & chunkier breaks. 

 

"Crawl Ideas" highlights:-

-Crawl Idea: A dark horror homage to terrifying classic (Video available on Stoltz TV Music Videos)

-Sabotage: An electronica remix of the Beastie Boys Classic.

-Runst Burn: Electronic Punk, loud & unrully. 

-Tork Depth: An iDnB deep-cut.

-Ruttle: Broody music to stalk to. 

-Lifes Riches: Dedicated to the Under-Industrialist (RIP)

-To Teach Learn: A cool moment of pause. 

-The Narther: A short brakes'n'fairytale. 

-Snap Ya (Tension): The final Boss arises. 

 

Available now on the Music Page

NEW ALBUM - MALGATUDE VOLUME ONE: PROPHET BEFORE PRIDE  

Malgatude Volume One: Prophet Before Pride

The Malgatude Volumes is a series of albums drawing from a vault of unreleased & unheard tracks from 2000 - 2025. Volume One is taken from DEEP within the vault, with music works 2000-2003, the beginning of Malgatude.  

"Prophet Before Pride" highlights:-

-Touc Application: An industrial machined thump, the Stoltz factory in full grind.

-Tingz; A digital reset, with a pleasent ting across the brain. 

-Ral Tide: A long distant fog.

-Falling Up: Some classic trip-hop style chill. 

-Tonus: A sample workout. 

-Electro Q: Synths & Breaks.

-I Am Jacks Confidence: A little Stoltz Self-help.

-Heal Me: Crust old Tip-Hop grooves.

-Peace Of Mind: A cinematic melodic build.

 

Available now on the Music page.

NEW TRACK & VIDEO - THE DERELICT  

The Derelict

A Stoltz industrial/iDnB/breaks homage to the 1979 classic "Alien". 

Made the old way, with hardware sampling via the Yamaha AN1x, synth from the Yamaha AN1x, & Bass from the Novation Basstation II. 

Directed by Ridley Scott, Music composed by the great Jerry Goldsmith.

Video available in the music videos page. 

Gig Prep & setlist 

well, the last few weeks have been pretty stressfull, I've had a no. of tech & life set backs that have made preparing for this gig on may 4th a real pain to march through, though I'm in the final 2 days of work now, & will be tying it all together fast!

decided on a final setlist of

May 4th Live Set

1. Life of an analogue monster
2. Miskin
3. Snap ya
4. Thump Gauge
5. Over the rainbow
6. Light Eater
7. Rollback
8. 30r
9.Grump Strut
10. Forlease

a few new tracks in there, some recent(ish) ones & a golden oldie... (I figured why the funk not!?)

I hope many of you can make it out to the gig, as its always nice to play to some familur faces, aswel as some new ones

see you all friday

S x

slow n loud (a return to playing in front of people) 

so, back into full gig prep mode again now, its been a LONG time! I really need to make the effort to try & find more live gigs after this one appearence. Its always takes seems like a super electro-monkey effort to shake the cobwebs off & get fluid in the live domain, its takes a LONG ass time to also prep new material for live performence aswel.

the last year & a while I've concentraited soley on score based music for film, to which I've kinda lost that bump a bit. which made this gig a little interesting to prepare for, as in the old days nearly every idea I'd have (& cultivate) would always be instantly evaulaited for its viabuility as an interesting live track, but when I look back at the material from the last year, its all score based. So thats an interesting limitation in unto itself.

I do have some newer tracks though that seem to fit the bill, "Rollback" for instance is a nice slow bumbling grumble of a piece with a really uplifting melody. "This is my work" is not a stoltz track in the classic sense, as its so slow & rather simple (both tracks mentioned are based around a 4/4 beat, which is wildly rare for me!) I have had alot of people really get into that one though, so it stands up on its own as another viable live candidate.

past that, I have a cover I've been toying with for a LONG time now, it needs work still in that have to find the arch for its structure, but the sound itself is all there. & then theres the killer app that I originally wrote for a film, but was always destined to be a single in its own right. no ones really heard it yet so it should really get people moving & into a good place.

then, theres a wild-card, a demo that takes the swing of house & just dirtys it through pulsing synths & running counter breaks. "30r" should be fun & get people moving.

past that, I'm left reviewing alot of older material thats been sat in my hardware waiting to be played. at first I was uninspired by all of it, to me its all old hat, but in reality most of it has only been played twice, maybe even 3 times at the most! so it still carrys something unique & fresh that most people havent been expossed too yet... is grunt strut dance'able??? guess we'll find out!?

the next week is gonna be a total fucking SLOG while I push the hardware to its limit squeezing as many sounds into it as possible!

speak soon electro-monkeys...

SMB x

Grohl is right, & electronic music isnt wrong. 

I came across this artical on a website I frequent - Dave Grohl Backpedals On His Grammy Speech

Basically it refers to a speech gave while drunk at the grammys & accepting an award, he made reference to how its a testament that the human element of music is still being honoured & loved, & not forgotten within the current climate of computer created music. 

From this speech apparently the electronic music fraternity (of which I am one) )became riled up & took offence to Dave's comments as a slight against they're way of making music.

Dave Grohl then took it upon himself to release a clarification statement, stating that he endorses electronic music, & wasn't directly aiming a critical venom to those artists who work within that medium. 

I guess this got my attention a little, I just wanted to chime in with my say. 

Basically Mr Grohl is right. His statement was totally taken out of context (by those who took offence). as an electronic musician, I came to the conclusion many years ago while developing my sound & what I like to hear in music that the human element that Dave refers too, the minor mistakes that crop up intrinsically in all recorded music, is one of the things that makes music so soulfull & inviting to the ear. while we all strive to be as good as we can be at different things in life, countless times the public have spoken to the simple reality that when compared to perfection, the human race always cares greater for that which is floored, this is because as humans, we know personally that we all are floored. 

I've always worked hard to build that human aliment into my music, where possible always playing my synth & sequence lines into my timelines by hand (no matter how stinted my chops are) & past that, even making a point of building mistakes into my recording & creative process on purpose. 

Electronic music is now the standard in the music industry, & has been for many many years. but the methods that Dave Grohl mentions will ALWAYS be a massive part of the process, even influencing that which is perfect to begin with, to aspire not to be. 

an excellent example of this is found on the many many electronic music production forums around the wide worlds web. thread after thread is available for reading on the subject of the worth to old analogue synthesizers, & what lengths music software developers go to recreate that sound. of which is very simple. old analogue circuits are inaccurate & add in small failures to the sound that they should be perfect with (off-tuned pitch & minor distortions & noise levels between the different stages), but those failures are what I call "pure failures", in that they are organic to the process itself, pitfalls of the method or technology used to get that sound. Point being, an entire industry actually exists, not to correct those failures but instead to recreate those pure failures for greater future reproduction. 

Another interesting offshoot of this, is how entire music genre's & styles have stemmed from these pitfalls in themselves. stuff like glitchcore, that takes the failed "circuit-bent" sound & techniques & incorporates it into the sound itself as a sonic convention. The famed TB303 was originally designed as a bass accompaniment machine for guitarists to practice with, but failed horribly at emulating the sound & feel of a bass player, but when noticed in isolation from an individual who wasn't looking for a bass player replacement, its pure failure was instantly used as a unique strength, which spawned the whole genre of techno music. countless other examples of this can be applied to all facets of music (electronic & acoustic). 

ultimately though, its the human element that is most important, not the method that is used to create, capture or convey this. 

Mr Grohl, I take your original statement in the proper context, & agree whole heart-idly.

respect

electro monkey

 

VJ camera's 

some random pictures taken from odays rig prep, the new rig webcam angles for the live VJ stream




showing the main keys & performance FX, this is so you can see what I ACTUALLY do to make sounds happen






The ever luvely Yamaha AN1x in all its (hardware) virtual anologue glory... my 2nd oldest synth, & still as sweet sounding as teh day I first brought it :)





The Control Board, with the 2 drum machines & the main hardware midi sequencer... notice the LACK of audio laptop people still doing it the old way ;)

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